Putting in some work on the last three Deathwatch Marines that I have planned. Not to say that they will be the last for this army by any stretch.
I have developed a new way of doing black armor that has sped me up considerably and gives a good result. I base the mini with 1:1 Dawnstone and Abaddon Black then dry brush with Dawnstone. I then wash the entire mini with Nuln Oil. This also takes care of my silver metal areas as well. Rather than using Nuln Oil to wash a second time, I find that I can get darker blacks and shadows as well as breaking up the mono-tone of grey on black. After the washes there is no touch up and I go right to hard edge highlighting.
Both of the sets of legs in the picture at at the same stage in painting but the ones on the right have a hard edge of Dawnstone.I posted this because I found the contrast (ha ha black and white puns) between the two striking. Hard edge highlighting takes me forever, it is hard to do and it can very easily go wrong. I think that it is totally worth it though.
The mini on the left is totally table-top quality but the little extra effort of the hard edge highlighting takes it over the top. It also takes what could be a very dark and shadowy model and makes it brighter. Painting dark colors in a bright and vibrant way is a skill that I have cultivated and this will come in handy with my next unpronounceable commission.
I have developed a new way of doing black armor that has sped me up considerably and gives a good result. I base the mini with 1:1 Dawnstone and Abaddon Black then dry brush with Dawnstone. I then wash the entire mini with Nuln Oil. This also takes care of my silver metal areas as well. Rather than using Nuln Oil to wash a second time, I find that I can get darker blacks and shadows as well as breaking up the mono-tone of grey on black. After the washes there is no touch up and I go right to hard edge highlighting.
Both of the sets of legs in the picture at at the same stage in painting but the ones on the right have a hard edge of Dawnstone.I posted this because I found the contrast (ha ha black and white puns) between the two striking. Hard edge highlighting takes me forever, it is hard to do and it can very easily go wrong. I think that it is totally worth it though.
The mini on the left is totally table-top quality but the little extra effort of the hard edge highlighting takes it over the top. It also takes what could be a very dark and shadowy model and makes it brighter. Painting dark colors in a bright and vibrant way is a skill that I have cultivated and this will come in handy with my next unpronounceable commission.